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Pedro Lobo is a graphic designer who could be identified as a visual artist and researcher. His ongoing work seeks to activate messages through a dialogical approach while taking a collaborative position at its core.

Pedro’s work specializes in crafting visual identities through art direction, design strategy, editorial design, web design, and moving image with a focus on storytelling.

If you want to collaborate, work, or just to say hi, get in touch!

pedrolobodesign@gmail.com



Education
2020 – 2022
Master of Arts in Fine Art and Design
The Critical Inquiry Lab

Design Academy Eindhoven
2016-2019
Bachelor in Communication Design
ESAD - Escola Superior de Artes e Design


Work
2019 – Present
Communication Designer
Freelance

2022—2023
Graphic Designer
esad—idea

2023
Graphic Designer
Porto Design Biennale


Clients & Collaborators
● Nederlands Philharmonisch Orkest
● Nederlands Kamerorkest
● Rua das Gaivotas 6
● Porto Design Biennale
● Studio Andrew Howard
● André Cruz Studio
● esad—idea
● ESAD, Matosinhos
● Casa do Design Matosinhos
● Inês Nepomuceno
● Susana Martins
● MAAT Saxophone Quartet
● Rita Palha Lopes
● Nuno Lobo
● Agostinho Sequeira
● Casa da Música, Porto
● Rui Santos
● Conservatorium van Amsterdam
● Netherlands Food Parternship
● Afonso Sereno
● Gustavo Nina
● Sketch 351
● Design Academy Eindhoven
● Vlad Braga
● Carolina Feijó
● Daniel Bertini
● Miguel Howard
● Eva Lotta Landskron
● Louisa Wolf
● John Carrillo
● Anna Perugini


Social

Instagram
Linkedin
Behance

GS 24 Catalogue

(2024)

GS24 Catalogue

Design Academy Eindhoven

Visual Identity / Editorial Design

(2024)


The 2024 Graduation Catalogue for Design Academy Eindhoven is designed based on the concept of a Rhizomatic Archive, inspired by the philosophical ideas of Deleuze and Guattari. Moving away from traditional, hierarchical structures, the catalogue offers readers a non-linear, interconnected experience that reflects the academy’s diverse graduate projects. The rhizome metaphor—a horizontal plant structure that continuously forms new links—shapes the editorial approach, allowing readers to navigate the content freely, following their own pathways through the projects.

The catalogue functions as both an archive and a dynamic network of research questions. Instead of merely documenting the projects, it invites readers to engage with the range of themes, methods, and approaches represented by this year’s graduates. 




  1. Concept and Graphic Design

    Pedro Lobo



  2. Organised and Produced by

    Design Academy Eindhoven

  3. Printing

    Robstolk Amsterdam

  4. Paper

    Fedrigoni




  5. Typeface

    Timezone by HAL Typefaces 




  6. Photography

    Ronald Smits