Pedro Lobo is a graphic designer who could be identified as a visual artist and researcher. His ongoing work seeks to activate messages through a dialogical approach while taking a collaborative position at its core.

Pedro’s work specializes in crafting visual identities through art direction, design strategy, editorial design, web design, and moving image with a focus on storytelling.

If you want to collaborate, work, or just to say hi, get in touch!

pedrolobodesign@gmail.com



Education

Master of Arts in Fine Art and Design
The Critical Inquiry Lab
Design Academy Eindhoven
 
Bachelor in Communication Design
ESAD - Escola Superior de Artes e Design


Work
2019 – Present
Communication Designer
Freelance

2022—2023
Graphic Designer
esad—idea

2023
Graphic Designer
Porto Design Biennale


Clients & Collaborators
● Nederlands Philharmonisch Orkest
● Nederlands Kamerorkest
● Rua das Gaivotas 6
● Porto Design Biennale
● Studio Andrew Howard
● André Cruz Studio
● esad—idea
● ESAD, Matosinhos
● Casa do Design Matosinhos
● Inês Nepomuceno
● Susana Martins
● MAAT Saxophone Quartet
● Rita Palha Lopes
● Nuno Lobo
● Agostinho Sequeira
● Casa da Música, Porto
● Rui Santos
● Conservatorium van Amsterdam
● Netherlands Food Parternship
● Afonso Sereno
● Gustavo Nina
● Sketch 351
● Design Academy Eindhoven
● Vlad Braga
● Carolina Feijó
● Daniel Bertini
● Miguel Howard
● Eva Lotta Landskron
● Louisa Wolf
● John Carrillo
● Anna Perugini


Social

Instagram
Linkedin
Behance




The Turmoil of Finding a Place:
A Continuous Arabesque

(2022)

The Turmoil of Finding a Place: A Continuous Arabesque

The Critical Inquiry Lab

Research / Writing / Editorial

(2022)


The Turmoil of Finding a Place: A Continuous Arabesque, is the physical representation of a 2 year-long journey. This journey starts with an identity crisis, that mostly questions what is my role as a designer today.
And even though I’m talking from my perspective, I believe that my concerns, doubts, and insecurities about being a designer are possibly shared by other young designers. In a context where climate change is an immediate reality with harmful consequences to all species; where there’s a rapid increase in ideological polarization; where social inequality and intolerance are vividly present; where a capitalist system promotes individuality and competitiveness; where young people are struggling to find stability; is there any role for the designer other than selling products? And, If so, who has the possibility to practice the opposite?

While acknowledging my personal botherings within the social, political, environmental, cultural and structural tensions of the world today, I continuously questioned the ethical answer that design seems to offer as a solution.

Following a research and inquiry on the essay as form or the 'essayistic' as an approach, I considered the hypothesis of an unfinished design practice. By leaving things open and working with fragments, the 'essayistic' provides a possibility to others to take part in. Consequently, when being silent, this voice invites others to speak, making this hypothesis not only collective or plural, but collaborative as well.



  1. Design, Research, Writting
    Pedro Lobo



  2. Thesis Coordinator
    Patricia Reed, Yaniya Lee



  3. Special Thanks
    Ali T. As’ ad, Gijs de Boer, Matylda Krzykowski,
    Wineke van Muiswinkel, Jack Segbars,
    Saskia van Stein, Lua Vollaard